Lynn, Banneker-Douglass Museum archivist and I, Michael Janakis, took a trip to Baltimore to the Maryland Historical Society (MdHS), to view their exhibit on Paul Henderson. Paul Henderson was a photographer for the Baltimore Afro-American, for which he captured events in Baltimore in the struggle for civil rights. Henderson also captured everything from celebrities such as Pearl Bailey, to the day-to-day lives of Baltimore African Americans.
We left early in the morning to arrive around 10 AM. This was the first time I had been to Baltimore, so despite feeling under the weather, I was excited. Upon arriving at the MdHS, we were greeted by Jennifer Ferretti, the curator of the exhibit. She walked us through the exhibit, explaining to us some of her experiences in working with the collection, as well as difficulties which she had. Some of the work in curating the exhibit was design-oriented (Jennifer had graduated art school, specializing in photography), while other aspects, such as researching photograph date, location, coping with poor creator titles, etc., were archives-based.
We were then taken to the H. Furlong Baldwin Library, where we were allowed to see some of Henderson's original photo negatives. Henderson worked with a 4"x 5" negative format (the ones we saw were on Kodak safety film, meaning that they were acetate negatives). You could see in the few photographs of Henderson himself that this 4"x 5" format was supported by a rather bulky camera, but as Jennifer explained, formats larger than 35mm produce higher quality prints. She said that 4"x 5" give excellent reprints, and when you get to something as large as 8"x 10" negatives, the quality is unrivaled by anything in the digital medium.
Also available for us were the reference photographs of Henderson's work. Jennifer told us the story of trying to decide the safest and most cost-effective way to allow for patron access to the photograhs, while at the same time preserving the deteriorating photo-negatives. What she did was photograph the negatives on a light board with a digital camera, then she digitally reversed the image to a positive image in PhotoShop, and then she reproduced the images to be put into binders for patron access.
I found Henderson's work to be most interesting when he captured day to day moments of African American life in Baltimore, in the vein of Thomas Baden of Annapolis. I particularly enjoyed his images of youth in a segregated theater in the 1940s. The children looked so happy, and the level of detail in the shot allowed me to really feel like these could be kids which I grew up with. Such was the nature of Henderson's work. It was very easy to see that, for better or for worse, despite whatever struggles they were going through, the events captured by Henderson were parts of life for his subjects (despite some of the photographs being clearly staged).
Jennifer maintains a blog about the Henderson collection at http://hendersonphotos.wordpress.com, which she plans to continue in the future. Also, the Paul Henderson collection finding aid can be viewed online at https://www.mdhs.org/findingaid/paul-henderson-photograph-collection-overview. From there, you can follow the link "Paul Henderson photographs in Collections Online (click and scroll down)" to see some examples of
his work.
Pictured from left to right: Jennifer Ferretti, Maryland Historical Society Curator of Photographs & Digitization Coordinator & Michael Janakis, Hodson Trust Intern
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